If The Blair Witch Project signalled a new dawn of horror, Blair Witch is the loud death rattle of a once exciting sub-genre, disappearing into the darkness.The Blair Witch Project Free Download HD 720p ober 1994, film understudies Heather, Mike, and Josh set out to create a narrative about the legendary Blair Witch. It’s been carefully and manipulatively packaged, marketed and sold to make a buck with a young, impatient audience.
Ultimately, the only thing mustier than the Blair Witch herself is the found-footage format.
A potted campfire history sounds more like the plot of a future prequel (the Blair Witch cinematic universe is surely on the way) while we now get actual, albeit brief, shots of the beast herself. Her history was briefly summarised but never the victim of tiresome exposition and remarkably, we never even caught a glimpse of her in the original. The reason the Blair Witch was such a terrifying villain was down to the decision to keep her to the sidelines. It’s the brash twin to the subdued original and while it might help to make the film sell to horror-saturated youths, for genuine genre fans, it’s a regretful example of what’s considered scary in 2016. The slow-burn and entirely gore-free scares of the original have been replaced with frequently annoying jump scares, really loud random noises and an unnecessary rise in gratuitous violence. On a similar note, there have also been some tweaks to make the story appeal to a younger audience. One of the joys of watching The Blair Witch Project was that feeling that you were seeing something you really shouldn’t be seeing whereas this time around, there’s a studio desperate for you and all of your Twitter followers to see it.
But the downside of the digital quality of the footage is that the whole film loses out on that grainy, raw feel of its predecessor. The film embraces the technological updates that would theoretically make the original venture into the woods less doomed by adding a drone, cellphones, GPS and essentially every bit of kit that should make getting lost impossible. He’s also willed on by a mysterious video found online, that suggests she might still be alive.įrom the outset, it’s made abundantly clear that times have changed, for better or worse. The sequel, and thankfully it is a sequel rather than a remake or reboot, has the brother of Heather, who went missing in the first film, head into the woods with a group of friends to make a documentary about her disappearance. But, given the long wait, is she too late? With the sub-genre close to death, or giving off a stench as it decomposes, given your tolerance of handheld horror-induced headaches, the Blair Witch herself has returned to remind us where it all started. But by the sixth Paranormal Activity film, the line: “Put the camera away!” became as tired as “I’ll be right back”.īlair Witch trailer: watch first footage from the surprise sequel – video Guardian A rushed, universally loathed sequel was thrown into cinemas the year after and forgotten about just as quickly but the self-shot style of the original endured and its influence was felt for the following 17 years.įor a while it was refreshing with Cloverfield, Rec and The Bay all finding neat ways of telling familiar tales. It utilised viral marketing like no film before and despite its inauspicious beginnings, managed to make $248m worldwide. The next seminal moment arrived at the tail-end of the decade as The Blair Witch Project arrived out of nowhere, quite literally, with no stars and precious little budget yet it created an entirely new sub-genre: the found-footage horror. In 1996, Scream changed things somewhat, proving that with the right amount of energy, self-awareness and originality, horror films could make money again. After the repetitive slasher movies of the 1980s, the genre had given up the ghost and no one was interested in bringing that ghost back to scare a new generation of horny teens. Back in the early 1990s, scary movies were about as profitable as Adam Sandler movies are now.
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